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Palette aluminum professional control surface vmix
Palette aluminum professional control surface vmix











palette aluminum professional control surface vmix

You can see my feature request posting here - and support it with a "+1" in your reply. You might think of these as part of a "Poor Man's Camera Control Unit" for quickly adapting to lighting changes throughout the day. In the upper left are buttons that I HOPE will soon be supported by Vmix (they stilll require shortcuts that don't yet exist) - for changing the "white stretch" and "black stretch" functions (like brightness & contrast) found in the Color Adjust section. On the bottom row are positioning buttons primarily for quickly changing the "area of interest" on 4K camera sources (in a 1080 preset) effectively providing 4 or 5 additional "virtual" cameras from a single 4K source. You may have also noticed some unusual black keys, in the bottom and top rows (on the left). As long as I select the desired input channel in Preview first, I can bring it in on any overlay channel. So now I was able to create a 32-input switcher (program and preview buses), along with some other very helpful functions - which you can see here and in the attached photo.Īs you'll see in the upper right hand corner, there are 4 overlay channel buttons, but unfortunately, no toggle in/out capability, so I had to use two buttons for each overlay channel.

palette aluminum professional control surface vmix

This decision, along from information from Vmix that stated that they didn't support direct, on-the-fly input selection (along with on-the-fly overlay channel selection), actually provided an opportunity to do without an overlay bus (row of buttons). I recently picked-up an Xkeys-128 and decided that I could do without the T-bar. I prefer physical switcher control surfaces but had been lamenting the small number of inputs usually offered.













Palette aluminum professional control surface vmix